
"Petals" 10x10 oil on copper. Sold. Thanks.
I was inspired to paint many sweetheart roses yesterday! I saw them at the grocery store.
There was 100 sweetheart roses for 15$. I rushed home, forgot to put all the grocreys away,
set up the flowers in a large measuring cup, adjusted the doctor's light, and started to
paint!

I loved the abundance of sweetheart roses! I sanded down my 30 ounce copper panel,
wiped off the copper dust, and loosely drew the roses onto the copper with an acid free
felt tip pen.

I always use a limited palette: Cadmium Yellow Light, Cadmium Red Light, Cobalt
Blue, Quinacridone Red, and Lefranc's Titanium White. I sometimes use Winsor Blue
green shade by Winsor Newton. I like to useNeo Meglip by Gamblin for a medium. I use
this medium very sparingly.

I use a size 12 flat kolinsky sable by Old Holland for the entire painting. How do I make small
lines? I use the tip of my flat brush. How do I make dots? I use the corner of my flat brush. Why
don't I use small brushes? I prefer the marks the larger brush makes. I find these marks more
interesting. I also like imperfect marks. I like the texture the larger brush makes. I have no need
for small brushes. When I was in Jamaica I gave my artist's friend all of my small brushes. I kept
one that had a nice point at the end of the handle to scratch in my name. The most important
reason I don't use small brushes is I want to learn brush control.

I painted in the larger shapes unting all the pink and all the orange, yellow, reds into
one large mass. Then I started to paint the shape on each rose by painting the shadow
and sunlight areas. I decided to paint the background a nice dark warm blue green.

It was around this time that my two young golden retriever puppies Monet and Poppy
started to race around the house. They became tangled up in my doctor's light and down
the light came. Crash! I was taken out of my quiet meditation into the crazy world
of young puppies! By the time I looked down Poppy and Monet were sitting there admiring
the fallen lamp. Robert came running to help. The lightbulb was not working anymore.
Robert produced another lightbulb! I was back to work. He took the pups outside
to run around. I was laughing at this. Daisy was wide awake for the crash. She went
outside too.

I worked on the inside of each rose first. Then I started to work on the highlighted
areas. Then I went back inside the rose to find the warm light shining through some
petals.

I worked all night long. The puppies were snoring. I pushed down the orange and
yellow roses in the shadow of the pink roses. How did I do this? I put a small amount
of the blue green paint on my brush and lightly brushed over them. This softened
their edges and knocked them down. I went back in to these roses later and
brought out more darks. I started to paint the stems and leaves last.

Finished! I can always let it dry and add a few more lights. I am content with the painting
as it looks. What a challenge! I know I will never paint 50 roses in one painting again!
I will allow the painting to dry for several weeks or months.
Then I will coat the painting with a very very thin layer of Gamblin's Galkyd. This Galkyd
is a nonyellowing polymerized oil. The Galkyd seals the painting. I could also use a wax. I
prefer the shiny quality of Galkyd. The copper stays pink as it is not in contact with oxygen.
The oil paint doesn't turn the copper green. Oil is a neutral PH.

If you are interested in learning more about copper as a substrate, look above under the
heading "Why Copper?". I have written all I have discovered about painting on copper
to help you get started. Let's Paint!
