
"Seal Cove from Cadillac Mountain" 8x10 Oil on Copper Panel
I drove over to Cadillac Mountain! It was suppose to be a sunny beautiful day! I was psyched! I arrived on top of Cadillac Mountain to find a light rain. I pulled over at a rest stop overlooking Seal Cove, Northeast Harbor, Seawall, and maybe Bass Harbor. I decided I liked the circular shaped lagoon area at Seal Cove. I ignored the ran, sat inside my car, and drew on my copper. It was about 50 degrees out. It was very windy! I do not like to listen to howling wind while I paint. I find it unsettling. I tried to ignore this. Here is a photo of my Cigar box by Guerrilla Painter. I use a hard plastic watercolor palette lid to hold my palette paper. I like the lid for this as it has a smooth surface. When I am finish painting I put the bottom part of the watercolor palette on top as the lid. Another words I reverse it's normal use. Most of these watercolor palettes are very filmsy plastic. This one is an older firmer one. I have never seen another one like it. I think I have owned it for twenty years.
This painting took me six hours to complete. I noticed the water did not change in value or color. The rocks changed in value and color. Shadows were nice at 6:00 pm. I decided to make sure all of my rocks and foliage looked like it did at 6:00 pm. The rocks on top of Cadillac Mountain are mostly light green right now. There are some specks of the beautiful coral color of the granite. The light green color is coming from some kind of lichen. I decided to try to stay with the colors present and try not to romantize the colors. This is not easy.
There is something very exhilerating about painting on location. This exhileration can come with additional energy and adrenaline. The artist feels extremely inspired by the beauty of nature and the daunting task of trying quickly to paint it! I never feel dread or feel like I can't do this. I just do it! Sometimes I make mistakes. I was painting in a narrow confining area. I was not able sometimes to get the proper brush marks I wanted. There are struggles. I seem to battle through them. I am almost always satisfied with my painting. I find it easier to paint from life than trying to deciper a terrible photograph.
After I finally finished this painting, I drove up to the Blue Hill Overlook. I was sitting there eating my apple. I realized I had not eaten anything all day. I set up my easel while I was still eating my apple. I decided to do a 3x4 miniature of the sunset. I thought doing this would help me with all of the other paintings I have been painting at this very location. I drew out the scene while I was eating my apple! Then I set up my watercolor palette with the mess of colors on the palette paper. The great part was the colors were already mixed. I had to set down my apple to do the painting part. I was really hungry too so this was not easy. I painted this painting in 10 minutes. I think this went quickly because lately I have painted three paintings of this scene. I know this scene very well. This painting went smooth. I learned a few things.

"Eagle Lake Sunset" 3X4 Oil on Copper 200$ Framed in an exquisite gold frame from California!
The Sargent mountain is not that dark when the sun is going down. The mountain is about a 6 or 7 in value. The horizon line is a light yellow orange always for the last week at sunset. The water areas for lakes or oceans gleam a bright light yellow in the path under the sun. The water areas to the right of this is lavender and to the left is more silver blue. These water areas are not a hard edge. The water areas glow so this edge is soft. The Eagle lake is lightest under the falling sun area. The coast of Eagle Lake is the same value of the furthest mountain in the distance. I was painting it a 3 value. It is more darker because the sun does not shine on it. The trees block the sun from shining on the rocks. These rocks look lavender. I also learned to simplify the sun setting. The more carried away I get trying to describe the sun setting, the more hoaxie it looks. Sunset paintings can easily look cheesy. Some artist say never to attempt to paint a sunset. Frederick Church painted many sunsets and sunrises. I like the drama during these times of days.

Here is my easel set up at Cadillac Mountain. Terrible photograph. I am glad I don't have to paint from this one! Gee! Painting is challenging enough to not have to deal with painting from a lousy photo. There wasn't very many people gathered tonight at Cadillac Mountain for the sunset. The colors were very pastel and delicate.

I took this photo from on top of Cadillac Mountain a few days ago thinking it was birds. Wow was I suprised to see this. For a few minutes I thought it was a photo from long ago. The ladies looked like they were dressed differently than today. The boat is modern blow up boat so it is the photo I took! Interesting. Thought they were boating ghosts!

I went next to Jordon's Pond to see "the bubbles" as they are called. I also drove by Little Long Pond! Wow! Was that a pretty scene. I needed to get gas and go home. Sun was gone, game over today!
I have been reading "American Wilderness by Milhouse. I found this interesting: An artist last name Reed, gave some advise to Thomas Cole about preparing for exhibition. He told him to search through his plein aire sketches for a scene familar to the public. This plein aire sketch was then worked up into a larger finished oil painting. Many times when I am showing my paintings to a potential art collector, they are always asking me, "Where is that?" They want paintings were they have been, where they recognize, where they have memories. Hmmm
I like what Thomas Cole wrote, "My thoughts run in a different channel. If revealed, they would be little understood or appreciated. But am I better or wiser for this sense and perception of the beautiful, when I imagine myself to possess in a greater degree than the many?" I often feel like this! I gave you a taste of how I think when I decribed things I learned from painting Sargent mountain at sunset today. Crazy huh?
An artist Whittredge tells a story of a visit to the village of Nemi on Lake Albano, southeast of Rome. The village had one, very old inn, which had only one bed, celebrated for it's enormous size. Bierstadt, Whittredge, Gifford, and Willam Stanley Haseltine (all artists) spent the night in the famous bed. Two of them slept with their heads in one direction, two in the other! I would have loved to have seen this! Ha Ha
I am so tired! I think I need to drink a lot of water! I hope you enjoyed this blog tonight! I love to hear from you! Enjoy nature by studying it with a brush! Get out and paint!