
Duke on his back! What a funny dog!

Daisy was watching the Waltons last night intently. Both Daisy and Duke were a riot last night!
I was talking to an artist on the phone today. I was telling him about the twenty questions I ask myself before I start to paint. It helps me have a greater chance of creating a good painting. It helps me from creating design errors. I had these questions printed. I would go down the list and answer the questions. Now I have them memorized. It is a ritual. Here are my questions:
1. What are the predominant lines here? Are they mostly vertical or horizontal? Mostly vertical ,then it will be a vertical format. Horizontal, then it will be a horizontal format. If I choose the opposite of what format it should be, then it will create tension. This is fine if I want a tension painting. Most likely I do not.
2. Will it be a mostly cool temperature painting or warm? If it is half and half, what can I do to change this. A good painting is 3/4 cool or 3/4 warm.
3. Why am I painting this? Good idea to identify what is attracting me to this subject. Color? Subject? Texture? Light? Then I make sure this reason is really apparent in my painting. Did I capture the light? Did that color sing?
4. Where is the lightest value? Where is the darkest value? I try to make a mental note where all 10 values will be by numbering them. I use 1 for white all the way to 10 being black.
5. Do I need to change any values to create mood? For instance, in order to have a peaceful mood, I may not want as many dark values. If I want a mysterious mood, I may want to have more darks.
6. Are there two subjects? I need to make sure I only make one center of interest. I might omit the other subject or make it not as distracting.
7. Is the center of interest in the middle of the painting? I probably want to avoid this unless it is a portrait. Birds and boats can be portraits too. Not just people.
8. What path am I going to lead people around my painting? People read a painting from left to right, so I want to decide how their eye will go through the painting.
9. Where will I have the center of interest? I really think about this a lot. It doesn't have to be where the golden mean areas are.
10. Does this painting have content? There are many types of content. Historical is one of my favorite types.
11. How am I going to let the copper show? Will I leave specks of copper somewhere in particular? I do like to leave some specks without paint in the dark areas or near the center of interest. I think about leaving copper gleaming under the translucent paints. I think about where I will scoop paint away from the copper.
12. What color palette will I use? Full palette? Limited?
13. What design pattern will I use? There are many, I pick one, and commit to it!
14. What color scheme do I see? Complementary colors? Analogous? Split complements? This is really important!
15. Where do I want paint texture? If I am painting a small painting, I want some smooth areas as well as textured. Too much texture can be overwhelming or distracting. I like a variety of textures or not.
16. Will this be a high key painting or low key painting? Can I change this low key to high key scene?
17. What will I delete? Most of the time I delete trees, branches, people, cars, rocks.
18. Where is the light path? I will often paint this first! I know you are suppose to paint the darks first. But if I was attracted to the light, I paint it in fast! At least I know I will have this done. It also helps make me aware if the subject is backlit. Then I know to look for highlights around the backlit subject matter.
19. How much time will I have to paint? If I am facing North, I will have more time. If I am painting at 5:00 pm, I might only have an hour or two before dark. This helps me know I will have to paint quickly!
20. Is this the best location? I usually look around a lot once I find a place to paint. I do many thumbnail drawings first before I paint. If it is not very interesting or dynamic, I get up and find a new location. Sometimes there are many views to paint. I just need to find the best view of the location. Many times I am too quick to decide where to paint. I need to slow down and make those decisions.
I hope this helps to create more consistantly great paintings! If you think about your painting, you will control how it develops! It will then develop well!
My passport arrived! This means I will be going to Holland soon. I will be starting a November Painting Marathon November 8! Each painting will be 100$ unframed and shipped for two days after it is posted. I will work really hard on each painting! I will use the marathon money to pay for doctor bills! Have a great night!